38 3/4” x 26 3/4”
La Piscina explores the dialogue between abstraction and representation through a pixel-like language of painted blocks softened by moments of realism. The composition unfolds as a garden scene anchored by a tranquil pool, where carefully placed squares of color build foliage, pathways, and water into a mosaic of memory rather than a literal landscape.
The block structure creates rhythm and fragmentation—suggesting digital imagery or recollection—while recognizable elements such as the lamppost, potted plant, and water’s edge ground the viewer in a familiar, intimate setting. The contrast between geometric patterning and organic subject matter invites the eye to move between seeing the scene as a whole and noticing its constructed parts.
Painted in acrylic on wood, the surface enhances the tactile quality of the blocks, allowing texture and color layering to play an essential role. La Piscina is both playful and contemplative, reflecting on how places are remembered—not as perfect images, but as assembled impressions shaped by light, color, and time.
38 3/4” x 26 3/4”
La Piscina explores the dialogue between abstraction and representation through a pixel-like language of painted blocks softened by moments of realism. The composition unfolds as a garden scene anchored by a tranquil pool, where carefully placed squares of color build foliage, pathways, and water into a mosaic of memory rather than a literal landscape.
The block structure creates rhythm and fragmentation—suggesting digital imagery or recollection—while recognizable elements such as the lamppost, potted plant, and water’s edge ground the viewer in a familiar, intimate setting. The contrast between geometric patterning and organic subject matter invites the eye to move between seeing the scene as a whole and noticing its constructed parts.
Painted in acrylic on wood, the surface enhances the tactile quality of the blocks, allowing texture and color layering to play an essential role. La Piscina is both playful and contemplative, reflecting on how places are remembered—not as perfect images, but as assembled impressions shaped by light, color, and time.
